Half-Life for PC – Know Your Enemy

Half-Life for PC – Know Your Enemy

Half-Life is a first-person shooter set in a H.P. Lovecraft meets Arthur C. Clarke fantasy world. You play as Gordon Freeman, the survivor of a malfunction at the Black Mesa Research Facility, and it’s your job to put things right again. But there are those that seek to stop you, a vast cast in fact of nightmarish creatures and vengeful military personnel stand in your way. Here is a run down of the enemies in Half-Life.

The Headcrab
Reminiscent of the facehugger in Ridley Scott’s Alien, the headcrab can be found throughout Half-Life. It’s infant-like cooing and slow movement speed lure you into a false sense of security until they leap ten feet through the air and bite you on the face. One of these blighters will be waiting for you around almost every corner of the Black Mesa Research Facility, and if they aren’t it’s best to check anyway, just in case.

It may look harmless, but it'll try to eat your head in the blink of an eye

It may look harmless, but it’ll try to eat your head in the blink of an eye

The headcrab can be taken out relatively easily. I found that waiting for it to pounce before dodging to the left and giving it the old ‘one-two’ with the crowbar did the job pretty well, however, they like to hang out in groups, and they like to sneak up on you too. The best method for getting rid of them is a double-tap with the pistol from a safe distance. If you thought that was bad enough, you should see what happens when one gets a hold of an unsuspecting scientist:

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The Houndeye
At first glance, these cute little yappers present no threat as they come bounding up to you. Then they blink a few times and fire out a white-hot shock-wave that drains big chunks of your life energy. They will go down fairly easily, with a single blast from the shotgun usually enough to finish them off, but their tendency for hunting in packs means that if you have to reload at any time you’re pretty much toast.

Down boy!

Down boy!

If it wasn’t for the fact that they try to kill you, I’d bet these would make pretty good pets.

Vortigaunt
When one of these is near, it’s a good idea to find some cover. The vortigaunts are human-like in statue and they make this gabbling noise that suggests they are intelligent – they seem to be the foot-soldiers of this whole fiasco. But, get too close and you’ll get a bolt of green electricity straight in the face.

Et tu, Brute?

Et tu, Brute?

The vortigaunt teleports in without a moments notice, and they usually bring their buddies along for the ride. Often they beam in behind you and at other times they come in swarms, making for some pretty interesting set-pieces during the game. Their green beams are pretty easy to get out the way of as they have quite a long wind-up, and a close quarters blast to the head with the shotgun will for the most part send them packing.

The Alien Grunt
or Pineapple guys as I call them owing to their unique ability late in the game to emerge from large pineapple-like pods whenever something hits them. The Alien Grunts are dangerous enemies, their right arms shoot out several buzzing flies which are able to pursue you even around corners.

Alien gruntThey’re big too, and able to absorb a lot of firepower. The Gluon gun or some kind of explosive seemed to be the best way to deal with them, other than that, running away seemed to be the best option for the majority.

The Barnacle
These guys are great. They hang from the ceiling, dangling their tongues to the floor and ensnaring the uninitiated. By the amount of human remains contained in each of these monsters, I’d say that they are to blame for the majority of deaths in the facility. Their tongues blend in well with the various wires and cables hanging around in the now dilapidated research centre, and Gordon often finds himself moving mysteriously skyward as a barnacle reels in the bait. It doesn’t take much to kill one of these, providing you have the range, and it’s best to clear the room of them before entering – that is if you are able to spot them of course.

Barnacle

The Tentacle
These formidable beasts are encountered only a few times in the game, but their appearances are memorable. Apparently noise-sensitive, you have to either sneak past them, or distract their attention with a grenade – and make sure you do, as one hit is often enough to knock you for six.

Forget the Sarlaac

Forget the Sarlaac

The only time you actually kill these guys is with the aid of a blast from a rocket-engine – hardy doesn’t even begin to describe them, so save your ammo for something more squishy.

The Snark
Speaking of squishy, the Snark can be either your best friend, or your worst enemy. Quicker on their feet and smaller than the headcrabs, the snarks are a nightmare to deal with in close quarters. They will swarm you in seconds and start taking chunks off you from all directions. It doesn’t take much to kill them, but you have to get them in your sights first.

SnarkFortunately, you can also use them as a weapon should you happen across one of their nests. Just make sure you are close enough to your enemy before you release them or they will turn back on you. After they run around for a while squeaking, the snark will explode in a plume of green gloop.

The Bullsquid
There’s a cold slapping sound as a ball of green mucus slams into the wall just above your head, you look around to see where it has come from and then you spot one of these in the distance:
BullsquidThe sniper of the alien world, the Bullsquid shoots high-speed phlegm missiles from long range. Combine this with a resilience against almost anything besides the magnum pistol and you have got one tricky customer.

HECU Marines
As if all these gruesome aliens were not enough, you also have to contend against numerous human enemies. Encountered most frequently are the Hazardous Environment Combat Units, or HECU Marines. They come in different varieties from the squad leaders with red berets to the foot soldiers. Most of the time they lie in wait for Gordon around corners and on ledges. From there they pelt you with painfully accurate fire from their MP-5s, chucking in a grenade or two for good measure.
HECUWhere there’s one you know there’s a whole load more waiting around the corner. The best strategy is to find some good cover, lay some trip mines and wait for them to come to you. HECUs often get into fire fights with the aliens in Black Mesa, so a lot of the time you can just sit back and watch the fire fight before moving in to mop up whatever is left.

Black Ops
Several times in the game you will encounter the black ops units. Operating in small groups, the black ops units use hit and run tactics to devastating effect. You’ll definitely hear them coming, but its unlikely that you will see them until its too late and they are already firing at you with their powerful handguns.
Black opsThey’re fast, so you’re going to want to find a good spot to dig in as they are no match for your firepower.

Icthyosaur
Unfortunately, I don’t have any screen-grabs of this particular beast as any time there is water in video games I lose all composure. Prime examples of this are the lake sequence in Resident Evil 4 and the sunken corridors of Big Shell you have to navigate in Metal Gear Solid 2, if there’s water I’m not going to do well. I now have another experience to add to my list with the inclusion of the Icthyosaur in Half-Life. The only weapon that seems to fire underwater is the tranquilizer gun and it takes so many darts to put this thing to sleep, especially in the panic caused by running out of oxygen and the guttural growling of the Icthyosaur which I will no doubt hear in a nightmare in the not too distant future. Thanks Valve.

The Gargantua
There are only a few of these giant aliens wandering around the Black Mesa Facility, but you’ll soon know when one is near. The gargantua are immune to conventional weapons as far as I can tell, and their plasma shock-wave attacks hurt.

HAL anyone?

HAL anyone?

The cold red stare of the gargantua is enough to make you turn tail and run, which is precisely what you should do if you encounter one.

The Alien Controllers
Whereas the shrieks which emanate from the alien controllers are enough to put your teeth on edge.

What are you screaming about?

What are you screaming about?

Good luck trying to get close enough to one of these fellas for a kill-shot as they fly about in all directions shrieking and hurling balls of light at you. The magnum is your best bet here with it’s fast, powerful hits and good range.

Warning: Spoilers

The Nihilanth
The Nihilanth is the main boss of Half-Life. Not only does it shoot incredibly powerful balls of white light at you, but it also shoots out portals which whisk you away to infuriating puzzle rooms. And when you’re not being teleported away, it is teleporting in back-up to kick your butt.
NihilanthIt took a lot of attempts to beat this guy, even after I had to resort to a walkthrough to find out how exactly to finish it off. The Nihilanth is one tough customer, who will absorb everything you have to throw at him. To beat it, you have to get inside its head.

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Pokémon Conquest for Nintendo DS – Bonding

Pokémon Conquest for Nintendo DS – Bonding

Ever since I played Pokémon Red as a boy all those years ago I have been searching for a way to make the Pokémon experience more realistic. Apparently, people don’t take too kindly to Pokémon battles between actual animals, so I have had to restrict myself to the video games that are on offer. In terms of a realistic experience, the main series of Pokémon games peaked with Pokémon Soul Silver. The ability to have your favourite Pokémon follow you around in the game world for all NPCs to see and then to carry them around on your belt for all the IRL NPCs to see with the Pokéwalker was the pinnacle in Pokémon vanity. As both functions were then scrapped in Pokémon Black and White I had to look elsewhere. Fortunately, there are many other avenues to explore with all the spin-off Pokémon games. I had dabbled with Pokémon Ranger in the past, but didn’t really enjoy the experience, and Pokémon Coliseum looked good, but renting Pokémon didn’t appeal to my purist needs. Enter Pokémon Conquest.

Pokémon Conquest is a cross-over between Pokémon and the Nobunaga’s Ambition series of games developed by Koei (later to become Tecmo Koei, most famous for the Dynasty Warriors franchise). It keeps elements of Pokémon such as the capture and raising of familiar Pokémon and introduces several new factors such as grid-based strategy battles and area capture. The goal of the game is to gain control of the entire Ransei region through strategic Pokémon battles over various terrains. The main campaign should last upwards of 15 hours, depending on how much time you want to invest in your warriors. There are no difficulty settings on the main campaign, however when you complete it you will gain access to new stories with various degrees of difficulty.

Pokémon Conquest cover sleeve

Pokémon Conquest cover sleeve

There are several tweaks made to familiar elements of the original games in Pokémon Conquest, it is these which most appealed to me whilst on my search for a realistic Pokémon experience:


Evolution

In the main series of Pokémon games it is the case that the most highly evolved Pokémon will be the strongest Pokémon, especially within a particular evolutionary line. For example, a level 100 Blastoise will always be stronger than a level 100 Squirtle. Therefore, even if you much prefer the way Squirtle looks to the way Blastoise looks, you will be at a disadvantage in battle if you do not evolve it. This is not the case in Pokémon Conquest. In PQ, each warrior has one particular Pokémon that they have the potential to create a 100% bond with. This doesn’t mean one particular evolutionary line either, it means one Pokémon within the evolutionary line. Meaning that whereas the warrior has a 100% bond with Squirtle, they may only have a 90 or 80% bond with Blastoise (I discovered this with a great amount of guilt when I evolved Oichi’s Jigglypuff and found that she no longer had a 100% bond with it – I’m sorry again, Oichi!). Therefore in Pokémon Conquest, there is the potential for a Squirtle to be better than a Blastoise, and the need to evolve Pokémon to make them stronger is not so important. The need to evolve Pokémon is further tempered by the fact that some top-level evolutions come with a price, for example, Rhyperior has a strong attack, but he cannot use it two turns in a row.

Bonding
There is a mechanic in the Pokémon games for bonding. Winning battles, feeding certain berries to your Pokémon, having them get massages and haircuts all increase the amount that they like you. The move Return ties into this mechanic, as the more your Pokémon likes you the greater the strength of the move, also certain Pokémon will not evolve unless the bond between you is at maximum level. However, in Pokémon games, it is almost impossible not to have Pokémon like you over time, and the only real effort you need to put in is if you are trying to get them to like you more quickly. In Pokémon Conquest, bonds take centre stage. Instead of raising the level of your Pokémon, you raise the bond percentage between you, this, in turn, raises the Pokémon’s attack and can lead to evolution. However, the fact that each warrior only  has one Pokémon with which they can form a perfect bond makes the whole experience much more personal and therefore rewarding. This one-to-one interaction with a Pokémon as friend and ally, is something I have had to add into the original games with my imagination, but in PQ it takes on physical form, and takes me a step closer to finding a realistic Pokémon experience.

For me, finding a realistic Pokémon experience is about immersion. It’s difficult to get immersed in a handheld Pokémon game compared to a console game. Despite also being a handheld game, Pokémon Conquest has – to a certain extent – taken me further than the original games in experiencing what it would be like to be a Pokémon trainer. Ever since that first game over a decade ago I have been waiting for a console quality Pokémon game that will allow me to truly feel what it would be like to interact with Pokémon. Perhaps it’s a good thing that this game hasn’t been made yet. The new Pokémon games on the 3DS are but a small part in a much wider change in gaming towards more immersive and realistic interaction. Maybe one day we will all know the excitement of actually throwing a Pokéball and waiting to see whether our dream Pokémon has been caught. Until then, I will occupy my time with the handheld games

Crisis Core: Final Fantasy VII for PSP – A Shining Star

Crisis Core: Final Fantasy VII for PSP – A Shining Star

A couple of years ago I was faced with a choice. I wanted to buy a handheld console, but I didn’t know whether to get a Nintendo DS or a Playstation Portable. The DS had the Pokemon games and the PSP had Crisis Core: Final Fantasy VII. Back then I chose the DS purely because it had more games, but recently I have had a bit more pocket money and so I bought a PSP and I played Crisis Core. Even though I still think I made the right choice back then, Crisis Core was well worth the wait.

Crisis Core Cover Art

Crisis Core Cover Art

Crisis Core is a prequel to the much-loved game Final Fantasy VII for the Playstation. Its main character is Zack Fair, whose presence is felt throughout the original game, even though he is never directly encountered. Those who have played Final Fantasy VII will come to this game with a pit in their stomachs as they take control of the fated Zack. The game is only part of a world that exists around Final Fantasy VII. Other parts include the excellent Advent Children feature film, and the enjoyable Playstation 2 game, Dirge of Cerberus. Each addition to the series throws new light onto the events depicted in Final Fantasy VII, and works to flesh out the world featured in that game. Crisis Core is perhaps the most relevant of these as it depicts events that are directly represented in the original game.

Final Fantasy VII is my favourite game. I find the characters charming, the story inspiring and the setting beautiful. What is essentially a story about revenge goes on to become a thoughtful narrative on what it means to exist. It also explores how the characters as moral agents react to the threat posed to the world by the heavily industrialised Shinra Corporation. In Final Fantasy VII, Shinra are the bad guys, from experimenting on people to literally draining the life out of the planet, they are universally despised by all right-thinking people. This is why Crisis Core is such an interested game, as in it you play as a Shinra employee.

Shinra is not yet the evil organisation in Crisis Core that it will later become, but it’s still pretty shady. As Zack, you play a member of SOLDIER, the elite fighting force at the beck and call of the Shinra big wigs. Zack’s innocent demeanour and joie de vivre at the beginning of the game are in stark contrast to what I thought I knew about Shinra, and throughout the game I constantly asked myself: am I the bad guy? What was more disturbing than that however, were several scenes in which Zack and Sephiroth interact. Sephiroth is depicted as the epitome of evil in Final Fantasy VII and yet here he seems to be an all right guy. It is here that the finesse of Crisis Core is most apparent as characters and organisations we thought of simply as ‘the bad guys’ take on a new dimension.

Crisis Core is impressive in lots of other ways too. The action/RPG genres are seamlessly blended in a fluid and poised battle system, with a control scheme that is simultaneously easy to use in a real-time action environment and reminiscent of the traditional RPG command-based system. The score is sublime: a mix of new and old that both invokes fond memories of the original and yet entertains with several new additions.

The game isn’t perfect though, there are several segments (pretty much mandatory mini-games) which seem to be there for little else than the sake of having them there. For example, there is a point in the game where you travel to Banora and for one reason or another someone is spraying the town in splatter-gun fashion with missiles. Your job is to destroy the incoming missiles by pressing the attack button at just the right time to cut them in half. This probably sounds much cooler than it actually is for in reality it’s a pointless endeavour, unlike another part of the game in which you are required to build a flower wagon for Aeries, which neither sounds nor is fun. Crisis Core has several other flaws besides, but so did the original game, and they didn’t make me love it any less.

For me, the materia system in Final Fantasy VII is the best of all the Final Fantasy games. It is the only system that allows you to give each character their individual and personal set-up, compared to say Final Fantasy X where after a certain point in the game all characters can use exactly the same spells and skills as one another. It is also the only system which rewards grinding for AP, unlike Final Fantasy VIII in which you will find relatively early in the game that you have maxed out the abilities available to you. With Final Fantasy VII however, even after 60 hours of gameplay you still have not mastered all of your materia. I was glad to discover that Crisis Core keeps the materia system relatively intact, with the addition of a new feature that allows you to fuse materia together for some interesting results. As materia cannot be levelled directly in Crisis Core (instead seemingly relying on chance with the introduction of a fruit machine mechanic called the DMW) this new system adds a new layer to character customisation.

Crisis Core: Final Fantasy VII is a real blend of new and old. It manages to strike a balance between honouring the original game and creating a space for itself. Although a prequel, it manages to resist being absorbed into the original narrative, instead creating a new and equally memorable story of its own. The developers of Crisis Core have made it a meaty enough game that you would not need to have played the original to enjoy it. Just as Crisis Core throws light on to Final Fantasy VII, so too does Final Fantasy VII throw light back onto Crisis Core. What is even more impressive is that this also holds true of Advent Children and Dirge of Cerberus as all four link into each other. Each element stands out on its own and at the same time lends light to the others. But in this constellation of stars, Crisis Core shines out as one of the brightest.

The Legend of Zelda: Twilight Princess for Wii – Adulthood memories

The Legend of Zelda: Twilight Princess for Wii – Adulthood memories
Twilight Princess Cover Art

Twilight Princess Cover Art

The first Legend of Zelda game I ever played was Link’s Awakening on the Nintendo Game Boy when I was about ten years old. I remember loving the game, but being unbelievably awful at it. I used to ask this pretty girl in my class called Corrin how to advance whenever I got stuck, and I got stuck a lot. She claimed to have beaten the entire game in a five hour flight to the United States, something that still seems impossible to me to this day, and yet she did seem to have all of the answers that I needed. I didn’t play another Zelda game for the next ten years or so as I only owned Sony consoles. But when I received a Nintendo Wii, I knew straight away that there was one game in particular that I would need to play. That game was Twilight Princess. Apparently, not much has changed since I was ten years old as I still managed to get stuck, a lot. Except that now instead of asking a pretty girl how to get past something, I turned to the internet (the story of my life).

Even though Twilight Princess is incredibly more advanced than Link’s Awakening, there was so much that was familiar to me. Mainly it was the feeling of bewilderment at the scope and complexity of the game that I was playing, but there was also the humour and warmth of the NPCs and of course the kick-ass weapons. I felt exactly the same compulsion to find out how to get past obstacles that mysteriously blocked my way, and to find those ever-elusive heart fragments. It honestly felt like seeing an old friend again, except now they were grown up and had a whole bunch of new and exciting stuff to show me.

Visually, Twilight Princess is a world away from the 8-bit Link's Awakening

Visually, Twilight Princess is a world away from the 8-bit Link’s Awakening

From the very start it felt as if the Wii was the natural habitat for a Zelda game. For a series of games that are designed – more so than others – to put you in the shoes of the hero, what could be more natural than letting you swing the sword or aim the bow yourself and in real-time. Link doesn’t talk, he doesn’t question whatever it is that he has to do, and you can even give him your own name should you wish to do so. On console games, the distance between player and protagonist rarely gets closer, and with the Wii’s interface that gap got even smaller. I move my arm and the baddie on my TV screen gets it in the neck, surely this is what they were aiming for when the very first video game was launched.

The Legend of Zelda series may not be the most innovative when it comes to characterization or story lines, but when it comes to gameplay it is one of the most innovative. How many times has Link saved Zelda now? And yet, each time there is something new and wonderful to discover. A lot of games have expansive worlds with realer-than-real graphics, and that’s fine, but Zelda games make do beautifully with a small world jam-packed with things to do that you want to keep returning to, interacting with and exploring all over again. Towards the end of Twilight Princess you discover a hidden village. The hidden village is a wild-west style shanty town, and your job is to clear it out before being killed. It is easily one of the most fun things to do in this game, or any other come to think of it. The entrance to the hidden village is behind a boulder that you walk and ride past at least twenty times, never once suspecting that there may be an entire village behind it. This is what I am talking about with the Zelda series, no matter which game you play, they will always be something new and exciting for you to discover.

Kind regards,

Lefthumbstick

Star Wars Battlefront: Renegade Squadron for the PSP – A Star Wars Fix

Star Wars Battlefront: Renegade Squadron for the PSP – A Star Wars Fix

Star Wars Battlefront: Renegade Squadron

I am a Star Wars junkie. I had been clean for almost eighteen months, but then my birthday rolled around and I received some Star Wars themed gifts and then I fell off the wagon. This time around my Jonesing was for video games in particular. Now I’ve played most of the Star Wars franchise games, multiple times, and so I knew that none of the ones I already owned were quite going to cut it for me. The only one that remotely interested me was Battlefront II, but of course as luck would have it my brother still has my copy. So, rather than rebuying a game I not only already own, but have sunk around 100 hours into, I thought I would try something new. Star Wars Battlefront Renegade Squadron was just about new enough.

I had already played the first Battlefront game for the PC, so I knew that in the best case scenario this game would be like a stripped down version of Battlefront II, and this is for the most part what I found. I knew that the PSP had limited power, and with it having only one joystick I also knew that it wasn’t going to be a smooth ride playing an FPS on it, but still I was a little disappointed by the game play. The aiming system requires you to hold down the R1 button allowing you to lock-on to the nearest enemy, it’s like sticky reticle pushed up all the way to maximum. There’s a little feature where if you lock on for a certain amount of time you stand the chance of getting a critical hit, but the amount of time it takes and the actual damage these hits do means that it really isn’t much use. The only time I found myself wanting to use this feature was on tanks and vehicles, but unfortunately it does not work on them. You can set your controls to alternate which allows you to move with the thumbstick and aim with Triangle-O-X-Square, but setting your controls to this means that you will no longer be able to perform a roll, as there was not enough buttons left over for that apparantly. In Star Wars Battlefront, rolling is kind of a big deal.

Even though the gameplay and environments are a little stripped-down, the game does make up for it in other areas. Campaign mode, which pitches you as a member of a rag-tag, no-nonsense group of bad-ass freedom fighters is pretty cool, the ability to customise your character from a selection of bodies and heads is a nice touch, new weapons such as the carbonite freeze gun are fun to use, albeit a little useless, and the Galactic Conquest is far more of an involved affair than the one in Battlefront II – or at least it would be if it wasn’t so easy. That’s more of a criticism of the Battlefront series in general though, rather than this one in particular, as even on Elite with the odds stacked against you it’s still pretty easy to score a Victory. My favourite part of the game was the space battles that are virtually unchanged from Battlefront II, you can no longer knock out the critical systems from inside the enemy ship, but who used to do that anyway? Besides, you get to control Slave I if you manage to play as the hero on some levels.

It sounds like I am having a go at this game, but it is actually a pretty decent Star Wars game. It’s the first hand-held Star Wars game that I have played, so coming to it after playing so many console and PC games my expectations were likely a little too high. If you were in a particularly unforgiving mood you might just get away with calling it a poor game, but I wouldn’t let you get away with calling it a bad Star Wars game. It certainly helped scratch an itch, let’s just hope I don’t get back into the novels, that’s when I know things have really gotten out of control.

Kind regards,

Lefthumbstick

I see that this game has a pretty decent looking multiplayer mode. Obviously, coming to it six years too late there’s no one on any of the servers anymore. But if you still own this game and fancy going a couple of rounds, leave a reply and we’ll set something up.

Metal Gear Solid 2: Sons of Liberty for Playstation 2 – What a game

Metal Gear Solid 2: Sons of Liberty for Playstation 2 – What a game

There is very little I could tell you about Metal Gear Solid 2 without including spoilers, so consider yourself warned.

MGS 2 Box Cover Art Work

Hideo Kojima, the brains behind this game is a genius. Look at the back of the box art for this game, it includes screen shots with Solid Snake in them. On the front of the box we have a bad ass potrait of Snake too. Everything is geared to make you believe that you are going into this game as the hero protagonist of the previous installment, your character is even referred to as ‘Snake’ during the first few minutes of the opening movie. The aquatic suit mask and respirator hide the true identity of the main character, even after you’re told that your codename is being changed from Snake to Raiden for this mission. And then comes the big reveal: you’re not playing as Solid Snake at all, you’re a rookie by the name of Jack.

The greatest bluff in video games?

The greatest bluff in video games?

The rest of the game is surprise after surprise, I’ve never seen so many plot twists and double-crosses in a game in my life. The storyline is complicated to say the least, and draws heavily from Hollywood movies of the 80s and 90s. This is combined with a charm and sense of surreal humour that you would normally find in JRPGs. Metal Gear Solid 2 will have you single-handedly taking down a mysterious foreign organisation, and along the way you will be urinated on, pooped on by seaguls, have your balls groped by the President of America and fight a Harrier Jump-Jet as a boss battle. This game fuses the two traditions of heroic Hollywood storylines and Japanese video game charm. In fact, the cutscene sections are often so long that it would be fairly accurate to describe MGS 2 as more of video game-movie hybrid.

Just a quick note about this game compared to Zone of the Enders, which I wrote about a few weeks ago and for which Hideo Kojima was producer. Dispite these two games being worlds apart in terms of quality, there is one thing common to both of them: awesome boss fights. Metal Gear Solid 2 and Zone of the Enders do boss fights like how they should be done: frustrating, gruelling battles of wits and timing. From the aformentioned Harrier, to Fatman, Vamp, Solidus and the Metal Gear Rays, MGS 2 has a great line-up of infuriating bosses to get stuck in to. Also if you look closely downstairs inside Strut E you will notice the Z.O.E. insignia on some of the boxes there, a nice touch, but I feel as though that works as a metaphor for the development of the two games: MGS 2 taking centre stage, while Z.O.E. lies forgotten in a box in the basement.

Anyway, I came at Metal Gear Solid 2 as a complete novice, never having played any form of Metal Gear game before. As such, the initial impact of the switch in protagonist was somewhat lost on me. It was only after playing through the after-mission – where you actually do take control of Solid Snake – that the full significance of what they had pulled off hit me.

What had stopped me from playing this game and other games in the series before was the knowledge that I am awful at these games (the fact that I died 78 times during the main campaign on Normal mode can easily testify to my lack of ‘Tactical Espionage Action’ skills). I made the wrong assumption that MGS would be like a run of the mill shooter game: heavy on the action with little in the way of storyline. I could not have been further from the truth, and was pleasantly surprised by the depth of story and enjoyability of gameplay that I found. I became immersed in the lore of the MGS world.

Luckily for me, the game includes an entire novel explaining the backstory of MGS 2. It’s basically the storyline to the first Metal Gear Solid game told from the perspective of Natasha Romanenko – who was apparently one of the supporting characters in the first game – and it’s long. But what a brilliant and brave idea to include something like that in a game. It adds a lot to the mythology that this game works to culitvate, as I am sure the other games do too. It’s addition also meant that I did not feel excluded from some of the finer points of the plot, especially towards the end of the game. For example, whenever someone spoke about Shadow Moses, had I not read the material I would have been like “Who?”

Although still accessible as a stand-alone game, you undoubtedly get more out of it if you have some prior knowledge of the series. However, far from being an excluding factor, the game clearly wants you to know this information, it wants to include you in the world that has been built up around it.

Metal Gear Solid 2 gets a little crazy towards the end. But it does have a clear message: you are able to choose for yourself who you are, it doesn’t matter about what genes you have, or how you were brought up, you can still choose to be the best you can be. Snake was able to escape his genetics, whilst Jack was able to move beyond his uprbringing. And that is what this game does; born a Japenese video game it was brought up on a diet of Hollywood films, but it chose to try and be more than just a game, and more than just a movie, it chose to tell a great and entertaining story, to try and be the best that it can be. Obviously it is neither better than a lot of video games nor better than a lot of movies, but at least it tried.

Kind regards,

Lefthumbstick

I’m not the best at playing games that are in a series in the correct order. Did you play MGS 2 after having played the first one? Did you feel as though you were conned at all? I think that I probably would have.

Resident…Evil…4! for Wii – A Lonely Game

Resident…Evil…4! for Wii – A Lonely Game

I tend to play a lot of RPGs, I find them comforting. I can take things at my own pace, and I usually have a whole team to back me up when things get real. I’m used to being led by the hand in these sort of games though, “Go here and get this,” a NPC will tell me, “then go there and do that” they will say. Resident Evil 4 was like “Hey! Here’s a gun, the enemy’s that way. Good luck!” And so I spent most of the game alone and bewildered, my only ally a crazy guy in a trench coat with a butt-load of guns – oh, how I rejoiced when I turned a corner to see a blue lamp and that creepy guy stood by it, even the gruff “Hello, Stranger” was somehow soothing to me.

I find games of this genre – survival horror, third person shooter, call it what you will – very daunting, and with Resident Evil 4 I jumped in at the deep end. In an RPG, if you can’t beat a boss you grind and get your level up until you can – with games like this you can’t do that. Nor can you rely on the whole deus ex machina theme that runs through most RPGs whereby someone will come and save you if things get a little hairy. Sure you have Ada who is sort of there, but her motives are far from clear, and Luis…well we all know how long that lasted. What I am trying to convey to you is the intense feeling of being alone at all times that I felt during this game, knowing that no-one was coming to help me and that I had to do all the hard work myself. It was a feeling that I was not used to in video games. To say that I enjoyed feeling like it would not be very accurate, however I did very much enjoy this game. In fact, Resident Evil 4 is probably one of the best games I have ever played.

The cover sleeve for Resident Evil 4, featuring Bag-head

The cover sleeve for Resident Evil 4, featuring Bag-head

The level designs are great, and all very distinct from each other. Each comes with its own terrain and set of baddies that cause you to rethink your strategy. They are also incredibly atmospheric, building upon the feeling of abandonment. I remember the first time that I got my head cut off by one of those chainsaw weilding guys with a bag over their head, I turned off the console and reassessed my life just a little bit. Each level has it’s own Boss who torments you throughout most of the  level. All of them are straight out of a Hammer Horror film: their over-the-top creepiness emphasised by their broad Eastern European accents. But then, I don’t think I was ever actually scared during this game. Yes it’s very atmospheric, and it gets pretty tense at points, but it never actually reaches the level of straight-out scary, everything retains a faint air of the ridiculous. So that tiny guy just turned into a giant monster? Sure. And now I have to fight a cave-troll? Sure. So if I shoot all these wooden cut-outs, I win some bottle caps? Okay.

I wouldn’t have had it any other way though. If this game had tried to take itself too seriously, I would not have enjoyed it a fraction of the amount that I did, and at those times – and there were quite a few of them – when I thought to myself, ‘I don’t want to carry on, the tension is killing me’ if it hadn’t been for the charm of the game, its storyline and the characters, I probably would have given up.

But I didn’t give up, I actually mustered enough courage to beat the game (albeit on easy mode). Shooters are not my strong point, and even though the controls for Resident Evil 4 are wonderful, I’m still not that good. The simplicity and ease of the controls is another strong point of this game. Gone is the laser pointer from previous incarnations of this game, to be replaced by a recticle that is controlled by your Wii Remote. Actually holding your Wii Remote like a gun only adds to the immersive quality of this game. Running, shooting and menu controls are all intuitive and easy to learn, in fact I don’t think I would be exaggerating at all if I were to say that this game utilises the Wii controls better than any other game I have played on the system. ‘Paddle waggling’ or whatever it is called is limited to tense near death experiences – for example the knife fight with Krauser – where complex controls would feel false. The frantic waggling of the Wii remote captures perfectly the exact spasmodic reaction I would have if someone tried to stab me: more and more immersive.

For those that don’t know, I should probably explain this game a little bit. I don’t know exactly how – if at all – it fits in with the other Resident Evil games, as I haven’t played them, but in Resident Evil 4 you play as Leon S. Kennedy, an American agent, who has been sent to the Middle of Nowhere, Eastern Europe to rescue the president’s daughter from some kind of cult. You don’t work for Umbrella, however, you seem to know Ada, who does. And so you shoot your way through hordes of creepy creepers trying to find and then rescue Ashley (the president’s daughter) whilst trying not to get yourself or her killed in the process.

Once you complete the main storyline you unlock additional weapons to use on your next playthrough, a shortened version of the game where you play as Ada instead of Leon, and a cool mini-game called the Mercenaries which I find immensely difficult and cannot unlock any of the additional characters – although I have seen them on playthroughs on Youtube and they look pretty cool. I will hang on to this game, and will definitely play through it again, just maybe in  a few years when I am a little bit braver perhaps.

Kind regards,
Lefthumbstick

I’d love to hear about your experiences with this games, so leave a reply if you feel like it.